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 VOTE FOR THE STUFF ART AOTEAROA GOLD AWARD 2025

Have your say and vote for the 2025 STUFF ART AOTEAROA GOLD AWARD national winner!
 

All four finalists, Lisa Call, Shannon Turuwhenua, Jessica Gurnsey and Odelle Morshuis won the regional rounds at our ASAA shows in Wellington, Christchurch, Auckland, and Queenstown.
 

Help judges Bob Kerr and Frances Morton choose the winner by selecting your favourite art work below.
 

The 2025 STUFF ART AOTEAROA GOLD AWARD national winner is awarded: $20,000 CASH, plus a complimentary 5 Panel 2026 Exhibition Pack at each of the other four 2026 show locations.

FINALIST #1

LISA CALL - REGional Award winner

FROM The WELLINGTON Art Show 2025

Our congratulations go to Lisa Call. Lisa was selected by Judges Bob Kerr and Frances Morton influenced by the popular vote from the Stuff voting platform. Lisa Call is an internationally recognised New Zealand artist whose award-winning contemporary textile paintings captivate viewers with their vibrant colours, bold geometric designs, and rich textural content. Eschewing traditional brushwork, Lisa creates her dynamic compositions by meticulously arranging hand-cut shapes and lines from her hand-dyed fabrics. Extensive stitching further enhances her work, adding depth and tactile intrigue. Exploring themes of pattern, structure, memory, and adventure, her practice spans abstract compositions, striking black and white pieces, and evocative landscapes. Lisa’s work pushes boundaries by merging traditional craft with modern design, inviting viewers into a vibrant world of colour, texture, and meaning.

Lisa Call - Kaleidoscope of the Sea Echoes of Kāpiti image 3_edited_edited.jpg

Kaleidoscope of the Sea: Echoes of Kāpiti
860 x860x30 mm

VOTE FOR LISA

FINALIST #2

SHANNON TURUWHENUA - REGional Award winner

FROM The CHRISTCHURCH Art Show 2025

Shannon Turuwhenua (Tūhoe), based in North Waikato, crafts sculptures from native and exotic timbers, each piece a reflection of his profound connection to the land. His work delves into themes of heritage, identity, and sustainability, weaving stories of the past into the present. 'Maka te Kupenga' (cast the net) specifically honors the intergenerational transmission of knowledge, using the familiar New Zealand tradition of fishing as a powerful metaphor. It speaks to how skills and wisdom are passed down, strengthening the bonds between generations.

Shannon Turuwhenua 3.jpg

MAKA TE KUPENGA

Wood Sculpture
950mm x 600mm x 40mm

VOTE FOR SHANNON

FINALIST #3

JESSICA GURNSEY - REGional Award winner

FROM The AUCKLAND Art Show 2025

Ticket to Womanhood’ is a celebration of becoming. Two woman, Esther and Mandy take centre stage, dancing with joy and freedom. Behind them, a young girl shies away, she is full of quiet longing. She represents the beginning: the questions, the hopes, the dreaming of what it means to grow into oneself. This painting speaks to the idea that womanhood is not a fixed destination but an evolving journey, marked by moments of courage, creativity, and connection.

 

It’s a visual ode to the influences that shape us—the women who dance before us, for us, and eventually, with us. It invites viewers to remember the young girl within, to honour the women they've become, and to pass on that ticket—to inspire, uplift, and empower the next in line. 

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Ticket to Womanhood

Acrylic on canvas

900mmx1200mmx35mm

VOTE FOR JESSICA

FINALIST #4

odelle morshuis - REGional Award winner

FROM The queenstown Art Show 2025

This painting came out of thinking about movement, how we are always passing through spaces, and through each other’s lives. The figures overlap and shift across the canvas, moving horizontally like a crowd in transit.

 

Most of them are just outlines, slipping in and out of visibility, while a few are more solid, painted in three dimensions. That difference feels important to me, some people stay with us, vivid and present, while others drift past, leaving only the trace of a line. The foreground is light, almost fragile, while above sits a deep ochre that seems to anchor the whole piece. For me, that colour holds time something steady against the fleeting movement of the crowd. I’m interested in that tension between permanence and change, between being here and then gone.

 

When I paint crowds like this, I’m thinking about the psychological spaces we inhabit. Every day we pass people in the street, in shops, in landscapes. Sometimes we connect, sometimes we don’t, but we’re always shaping and being shaped by those encounters. This painting tries to capture that- the constant flow of time and people, the way we carry spaces within us, and leave ourselves behind in return.

Odelle Morshuis1.jpg

Anonymous

Mixed Media

630mm x 630mm x 20mm

VOTE FOR ODELLE

Stuff logo, sponsor of the Stuff Art Aotearoa Gold Awards
Stuff logo, sponsor of the Stuff Art Aotearoa Gold Awards

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© 2025 Art Shows Across Aotearoa, NZ

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