THE ART SHOWS ACROSS AOTEAROA GOLD AWARD 2026
For our 2026 exhibition year we are excited to present the ART SHOWS ACROSS AOTEAROA GOLD AWARD. Aotearoa’s premium art show award, an award that reflects our values and now offers over $50,000+ total value of cash and benefits to our award winning artists. Our focus is “Art for Everyone” this is reflected in the new breadth and scope of the award.
Bringing an award of this standing and magnitude into the orbit of our art show exhibitors is a recognition of the talented artists that we work with every year. It is an opportunity for all artists, emergent and established, to apply for selection. This award for art excellence bestows significant artistic recognition to the winner and regional finalists. $50,000 worth of cash awards and benefits will be awarded to the regional finalists and the national winner over our 2026 exhibiting year. We look forward to seeing the progress of this award as finalists are chosen by the judging panel at each of our five national art shows.
The ultimate national winner will be announced at the close of our 2026 exhibition year!
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THE ART SHOWS ACROSS AOTEAROA GOLD AWARD 2026
JUDGE ANNOUNCEMENT
Tom Webster!
Celebrated architect, designer, and host of Grand Designs New Zealand!
Tom brings a unique eye for creativity across architecture, car design, and digital artistry. From his early pencil sketches inspired by a family of artists to innovative architectural projects in New Zealand and the UK, Tom combines technical skill with creative vision. Tom joins us after judging the Celebrity Choice Award at our 2025 Queenstown Art Show.
This year he will select the regional finalists at all five of our 2026 shows, announcing the national ASAA GOLD AWARD winner after our exhibiting year has closed.

Constanza Briceno - tauranga Award winner
The tauranga Art Show 2026

Colouring In #18
Mixed media on board
300mm x 300mm x 20mm
"Colouring In" it is new body of work that Constanza have been developing over the past few months, exploring and remembering those precious moments from childhood when you were colouring shapes, filling in spaces, fully in the moment, and your mind was free of any thoughts.
The preservation of childhood memories constitutes the raw material from which Briceno creates her pictorial work, which is shaped through the repetition and superposition of layers of color that fit together, revealing forms and memories of the house and nature.
The stains and textures that blend without the need for a fit reveal the construction process of the work, revealing the beauty of imperfection as a metaphor for repairing or mending a moment. The artist proposes a visual narrative using a personal color palette that she has built over time, which identifies her painting as a personal and intimate mirror. Constanza's work is recognized locally and regionally. Her work has been selected for major group and solo exhibitions in galleries in New Zealand, Chile, and Argentina. In 2024, she co-created the first version of the BOP Open Studios / Art Trail in the Bay of Plenty.
Vicki fraser - Highly Commended
The tauranga Art Show 2026

Labour of Love
Oil
640mm x 430mm x 60mm
I am a lifelong creator who loves to capture and highlight the special, often overlooked aspects of life. I started working in oil paint in my teenage years, and my creativity was redirected while I was raising my five wonderful children. For the last seven years, I have returned to painting in a big way from my home studio, where I love to explore what paint and creativity can do.
My subject choices are varied, as it’s often the light, shadow shapes, or colour combinations that catch my eye in the scenes around me in everyday life. Oil paint is my medium of choice, and I use broad brushstrokes of harmonious muted tones to describe these special images in a painterly way. This piece is aptly named ‘Labour of Love’ as it depicts a moment of complete mundaneness (standing at the kitchen sink) coupled with a thankful satisfaction at the thought of my being able to feed and care for our family in our home. The glow from the setting sun made me stop and appreciate the moment.
nick fedaeff - Highly Commended
The tauranga Art Show 2026

RED AND BLACK
Oils, acrylcs, clocks details, wooden blocks on board.
690mm x 910mm x 70 mm
Nick Fedaeff transitioned from the world of music to the field of visual arts, marking a notable shift in his creative journey. Prior to delving into visual arts, he captivated audiences as the frontman of a rock band and as a composer for various theatrical productions and films. When questioned about the source of his inspiration, Nick often responds with insight into his perpetual role as a composer. He explains, “Melodies and chords have always resided in my musical heart. When I became an artist, I simply changed the keyboard for brushes.”
His artistic style can be characterised as soft surrealism, with each painting able to be interpreted as a story. Yet admirers of his work often construct alternative interpretations of these narratives, a phenomenon that Nick warmly embraces. He remarks, “Creating a painting is a long process. It always becomes a part of me. Sometimes, the process consumes more than half a year, forging a profound connection. However, once it graces a gallery and becomes available for purchase, I feel like I’ve given birth to a baby. It was a part of my body, but it is no longer solely mine.” The creative process is magic. For Nick, it’s also an addiction. He calls himself a ‘paintaholic’, because he draws or paints nearly every day. Alongside his artistic pursuits, Nick is a dedicated traveller. For the last 10 years, he has not lived anywhere permanently. His exhibitions span the globe, from the United States to Australia, New Zealand to South Asia, and Europe.
leah Creaven - Highly Commended
The tauranga Art Show 2026

This Little Life
Rug Tufted New Zealand wool on cotton canvas with oak tray frame
1200 x 1150mm
This Little Life is inspired by the quiet ritual of cycling to my studio through McCardles bush each morning, moving slowly through native trees and filtered light and creating moments of stillness before the day begins. The work explores the emotional landscape of these daily journeys where the ordinary becomes meaningful through attention. The ride becomes an invitation to notice small shifts in light, colour and atmosphere and to appreciate the beauty that exists within familiar surroundings.
Rug tufted from wool, a fibre deeply connected to the land, the work celebrates the tactile and grounding qualities of natural materials. Layers of texture and colour evoke the softness of the bush and the gentle rhythm of movement through it, reflecting the quiet restoration that comes from slowing down. The palette of gold, dusty pink and soft purple reflects the gentle transition of early morning light as it filters through the bush. These colours evoke the warmth of the rising sun, the muted tones of mist and shadow, and the quiet calm that settles over the landscape before the day gathers momentum. Rather than depicting the bush literally, the colours express the emotional atmosphere of the journey with a sense of peace and renewal that comes from beginning the day slowly.
nyle turuwhenua- auckland Award winner
The auckland Art Show 2026

This work Kahu Rākau, is a woven cloak adorned with rākau (wooden toki) in place of feathers. The work is a tactile reflection of the whenua. Its rhythms, its scars, and its breath. It reminds us that mana whenua is not just about tūrangawaewae or geography; it's about belonging, listening to the land’s stories, and understanding our place within its body.
Nyle Turuwhenua is an award-winning Waikato-based artist of Māori, Scottish, and Irish descent who is currently completing her fourth and final year of a Bachelor of Māori Visual Arts degree at Massey University.
Her multidisciplinary practice moves between printmaking, painting, sculpture, and weaving, with a strong emphasis on process-led making and material exploration. For Nyle, developing skills as a weaver has been an important catalyst in her personal and artistic growth, opening pathways to reflect on identity and cultural heritage.
Kahu Rākau
Sculpture
800mm H x 700mm W x 300mm D
shannon turuwhenua - Highly Commended
The auckland Art Show 2026

Hī Ika
Mixed Media
910mm x 330mm + Rope hang
Hī Ika is a contemporary wall hanging sculpted from Totara reclaimed from a Northland River. It looks to transform a traditional fish hook into a modern symbol of heritage and stewardship. The title itself honors the timeless practice of fishing with a hook and line, a foundational connection between the people and the bounty of the moana.
Shannon Turuwhenua is an award-winning wood sculptor based in North Waikato. Drawing deeply from his Māori (Tūhoe), Scottish, and Irish descent, his work is a powerful exploration of heritage and identity. His process is intrinsically linked to the land, beginning with the mindful sourcing of native and exotic timbers from across the country. Whenever possible, Shannon uses reclaimed and recycled wood, ensuring every handcrafted piece carries an added layer of history and is truly unique. His work consistently explores themes of cultural transmission and sustainability.
STEPHANIE Harlan - Highly Commended
The auckland Art Show 2026

Where Time Settles
Mixed Media
790 x 790 x 45mm
I am a Tauranga-based artist working in abstract realism. My paintings are inspired by New Zealand's coastline and the way water shapes the world around us. I am drawn to weathered surfaces, shifting sands and the marks left behind by the sea. Working intuitively, I build each piece through layers, allowing texture, movement and instinct to guide the final work.
Where Time Settles grew from my fascination with the way water slowly erodes everything it touches. The ocean doesn't rush; it quietly reshapes coastlines, smooths stone and leaves traces of every tide. To me, it's a reminder that time works in much the same way. The layers of turquoise, earth and charcoal reflect the meeting of sea, sand and rock. There are hints of landscape, but nothing is fixed. Like looking into water, the image shifts depending on what you bring to it. Some people see a shoreline, others see old structures, while some simply feel a sense of calm. This painting isn't about capturing a particular place. It's about the feeling of standing on a beach where time seems to slow down, where the land carries the stories of everything that has come before it. I hope it encourages viewers to pause, look a little longer, and find their own connection within it.
bernadette parsons - Highly Commended
The auckland Art Show 2026

I am totally moved by the immensity of the landscape on the road to Milford and its evocative moods. A road in New Zealand that is travelled and loved by so many. My aim is to express this by using minimal bold brushstrokes. Applying each one with purpose to portray what I see and feel.
Having spent most of my painting career as a successful watercolourist I am loving using oil and canvas and the excitement and dimension that it provides.
Mood Of Milford
Oil
1101 x 1101 x 35mm
Aimée McLeod - CHRISTCHURCH Award winner
The CHRISTCHURCH Art Show 2026

I have been working with clay for over 30 yrs. As well as throwing functional pots, I enjoy hand building sculptures in series that evolve over time. These are coiled in a groggy clay, scraped to refine the shape, bisqued, glazed and then glaze fired mostly to 1300° in my gas kiln Though not interested in anatomical correctness, my sculptures represent Amazons (strong women) and birds. Sometimes I am combining them into powerful Bird Women.
Bird women are legendary hybrid creatures appearing in myths and folktales in many cultures. Often seen as portraying evil, contrasting stories however show her in protective roles or associate her with music and love My take on this is that the macho world feels threatened by mentally powerful women and therefore see them as ugly or evil.
For the last couple of years, they have represented amazons and birds. This year I am combining them into powerful hybrid Bird Women.
Alcyone, Bird Woman
Clay
340mm x 590mm x 190mm
ODELLE morshuis - Highly Commended
The CHRISTCHURCH Art Show 2026

“Accumulation” considers the human figure as both a physical presence and a container for memory. Clay is central to the work because it records touch so directly.
Impressed into the surface are traces of other figures, held like residual marks of contact. These impressions act as echoes of past encounters: suggesting memory, relationship, and the way identity is shaped through proximity to others. Even in solitude, the figure is not singular or isolated, but formed through accumulation, imprint, and exchange.
The work also relies on the relationship between positive and negative space. Solid forms are balanced by voids, allowing absence to function as an active part of the composition. What is present is held against what is missing or implied. “Accumulation” reflects on embodiment, connection, and the subtle ways human experience is carried in the body.
Accumulation
Ceramic, steel and wood
690mm x 145mm x 120mm
Susan Skelton - Highly Commended
The CHRISTCHURCH Art Show 2026
Susan's artistic approach is a vibrant and dynamic one, where colour and texture serve as essential elements in expressing the energy within her artworks. When working on paper, Susan will harness the texture of the medium to push the boundaries of fluid paint tolerance, resulting in an explosion of vivid colors, intricate patterns, and captivating shapes. Based in the vibrant Wellington region, Susan has the privilege of being represented in numerous galleries and events across New Zealand, Australia, Singapore and USA.

Clouds Rolling In
760mm x 760mm x 40mm
Acrylic
Svetlana Orinko - Highly Commended
The CHRISTCHURCH Art Show 2026
Svetlana Orinko is a Christchurch-based artist, originally from Ukraine, trained in the traditions of classical realism. Her practice is grounded in the discipline and methods of the Old Masters, with a strong emphasis on observation, material understanding, and the emotional language of light. "Where Light Lingers" captures a fleeting moment in a hydrangea garden at dusk, where colour deepens and light dissolves into shadow. Through layered brushwork and carefully balanced values, the work seeks to create a sense of visual poetry—an atmosphere that invites stillness, intimacy, and reflection. The interplay of cool blues, violets, and soft pinks evokes both abundance and fragility, while the dense composition draws the viewer into a contemplative space. Rather than simply describing the subject, the painting reflects an internal experience of time slowing and beauty existing in transition. This work, like all of Svetlana’s practice, is created entirely by hand using traditional painting methods. No digital processes are used at any stage. In an increasingly hybrid visual culture, this commitment reflects a dedication to craftsmanship, authenticity, and the enduring value of painterly skill.

Where Light Lingers
650mm x 830mm x 5mm
Oil on Belgium Linen
odelle morshuis - the Artist Choice Award winner
The christchurch Art Show 2026

Congratulations to Odelle Morshuis for being selected by exhibiting artists as the winner of the Artist Choice Award at the 2026 Christchurch Art Show.
Artists had the opportunity to vote for their favourite work in the Christchurch Round of the Art Shows Across Aotearoa Gold Award.
A round of applause for Odelle!
ALEX DiMercurio - WELLINGTON Award winner
The WELLINGTON Art Show 2026
I’m a Wellington-based artist focused on creating immersive, textural abstract cloud and seascapes. My work explores the emotional resonance of light, movement, and colour, capturing the dramatic energy of clouded skies and their reflections over water through bold palette knife strokes.
Each painting is composed with intention, where every mark and colour choice contributes to harmony, depth, and a contemplative visual experience. Using a range of tools and knives, I sculpt structure from ethereal, formless elements, allowing refracted light, soft hues, and bold texture to coexist in a delicate balance. Collectors often describe my paintings as having a levitating presence on the wall, offering shifting perspectives when viewed up close or from a distance. At the heart of my practice is an exploration of connection; to nature, to others, and to ourselves.
Having lived across continents and moved frequently, I’m attuned to how we seek belonging and stillness amid change. For me, the vast sky and ever-moving waters hold this duality. Ever-changing yet constant, offering a sense of familiarity and comfort regardless of distance or place. Through my work, I honour the beauty of the ephemeral. The quiet glow of a horizon and the weightlessness of standing beneath an immense sky invite pause, presence, and a deeper awareness of the shifting natural world around us, and the emotional cloudscapes we carry within. ‘Shine On’ explores a moment of transition, when turbulent weather begins to lift and light reasserts itself across sky and water. Layered cloud form’s part and dissolve, revealing a luminous band of sunset hovering at the edge of night. A space of release, relief, and quiet awe, it speaks to fleeting moments when uncertainty gives way to clarity, and when nature’s scale reminds us of both our fragility and our belonging.

Shine Through
Acrylic on Canvas, Framed in Oak
1040mm x 7800mm x 460mm
luke greenfield - Highly Commended
The wellington Art Show 2026
Luke Greenfield is a self-taught painter based in the Wairarapa, New Zealand. His practice developed from earlier sculptural work in wood and is now centred on oil painting.
Animals are central to Luke’s work, reflecting a long-standing interest since childhood. His paintings often place animals in human settings, using familiar interiors to frame the subject. Luke favours oil paint, using a limited palette and a wet-on-wet painting technique. His approach is practical and focused, paying attention to form and composition.
The work entered for the ASAA Gold Award, titled Winston, shows a Great Dane seated on a couch in a quiet, private moment. The dog is at ease and appears unaware of being observed. The painting invites viewers to spend time with the scene and make their own interpretation.

Winston
1020mm x 765mm x 36mm
Oil on canvas
antonia - Highly Commended
The wellington Art Show 2026
Antonia is a contemporary abstract artist, her work is a vibrant fusion of layers created with acrylic, ink, and pencils. Green Commute 2 blurs the boundary between nature’s instinct and human routine. At first glance, the forms suggest wild flowers. However, these same shapes begin to resemble a mass of commuters, bodies moving forward in quiet unison toward an implied destination. The work invites a slow shift in perception, where organic freedom and collective momentum occupy the same visual space, challenging the viewer to consider where nature ends and human systems begin.
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GREEN COMMUTE 2
500mm x 500mm x 54mm
Ink, Acrylic & Pencil
min kim - Highly Commended
The wellington Art Show 2026
Was born 1971 Graduated fine art university in South Korea and last education was in Florence 2016 to 2019 Started draw since I was 4 under professional artist father and love to capture essential beauties with strokes and rich tone.

Curiosity
965 x 660 x 60mm
Oil
min kim - the Artist Choice Award winner
The wellington Art Show 2026

Congratulations to Min Kim for being selected by exhibiting artists as the winner of the Artist Choice Award at the 2026 Wellington Art Show.
Artists had the opportunity to vote for their favourite work in the Wellington Round of the Art Shows Across Aotearoa Gold Award.
A round of applause for Min!






























































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